Chinese Minimalist S-Shaped Poster

Minimalist Neo-Chinese aesthetic style. The image uses a subtle off-white as the base, showing a paper-art, silhouette-like sense of dimension. An S-shaped winding tear-edge divides the frame — as if a layer of paper has been torn open, revealing a vividly colored Eastern landscape scene inside. Within the tear, a winding river threads through the entire composition from top to bottom; the water is rendered in varying shades of blue with clear layering, like a flowing ribbon. Emerald hills and terraced fields dot both banks — soft colors, greens and reds interwoven — showing the tranquil beauty of the countryside. Ancient-style architecture built along the river is arranged with varied rhythm — flying eaves, white walls, dark tiles — looking even more antique and elegant in the play of light and shadow. The banks are lush with trees, leaves light and airy; a small boat is moored quietly in the middle of the water, adding a serene mood. The overall composition is an S-shaped curve with strong rhythm — a harmonious coexistence of nature and culture. The edges of the painting use a torn-paper effect, creating a three-dimensional, bas-relief visual experience. The bottom carries the Chinese inscription "东方美学" (Eastern Aesthetics) in black regular script; the date "2026/04/18" echoes a red seal; "CHINA" at the bottom is solemn and eye-catching, with the signature "@LIYUE" as a low-key closer. The overall atmosphere is quiet and far-reaching, full of poetry and philosophical reflection.